Introduction to Field Camera

1. Estes v. Texas of field camera

Estes v.

Texas, 381 U.S. 532 (1965), was a case in which the United States Supreme Court overturned the fraud conviction of petitioner Billy Sol Estes, holding that his Fourteenth Amendment due process rights had been violated by the publicity associated with the pretrial hearing, which had been carried live on both television and radio.

News photography was permitted throughout the trial and parts of it were broadcast as well. There was no doubt that the Court was displeased with the intensive pretrial and trial coverage, but its biggest concern was the presence of cameras at the two-day-long pretrial hearing. It included at least 12 still and television photographers, three microphones on the judge's bench, and several aimed at the jury's box and attorney's table.

When it was time for the trial to be held, it was moved about 500 miles away and the judge had imposed rather severe restrictions on press coverage. However, the justices did mark the notion that cameras would return to courtrooms eventually: It is said that the ever-advancing techniques of public communication and the adjustment of the public to its presence may bring about a change in the effect of telecasting upon the fairness of criminal trials. But we are not dealing here with future developments in the field of electronics.

Our judgment cannot be rested on the hypothesis of tomorrow but must take the facts as they are presented today." The Supreme Court ruled in Chandler v. Florida, 449 U.

S. 560 (1981) that a state could allow the broadcast and still photography coverage of criminal trials.

------

2.

Work with The Archers of field camera

Impressed by his work on The Silver Fleet (1943) for their Archers Film Productions, Powell & Pressburger ('The Archers') hired Hillier as cinematographer on A Canterbury Tale (1944), a film about which Powell later said Hillier "did a marvelous job". Despite Powell's recent work with the three-strip Technicolour film process, war shortages meant a return to the black-and-white stock that Hillier was familiar. The film is a mixture of British realism and the German expressionist use of extreme light and shade which Hillier has been trained in, and is remembered for its depiction of the English landscape.

In his autobiography, Powell recalled his obsession with clouds; he often begged for filming to be delayed until a cloud had appeared to break up a clear sky. His next film I Know Where I'm Going! (1945), again with The Archers, continued the style of its predecessor.

It is features Hillier's technical accomplishments, including mixing studio shots with exteriors, concealing the fact that Roger Livesey, the film's male lead, was working in London while the film was being shot in Scotland. With the war at an end, Powell & Pressburger at last had access to colour film. They asked Hillier to share cinematographic duties with the experienced Technicolor cameraman Jack Cardiff on A Matter of Life and Death.

Unwilling to be sidelined, he declined, bringing his intensely creative partnership with Powell & Pressburger to an end.

------

3. Book of field camera

AURA and its US National Observatories, Cambridge University Press, 1997.

.mw-parser-output cite.citationfont-style:inherit.

mw-parser-output .citation qquotes:"""""""'""'".mw-parser-output .

id-lock-free a,.mw-parser-output .citation .

cs1-lock-free abackground-image:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.

svg/9px-Lock-green. svg. png");background-image:linear-gradient(transparent,transparent),url("//upload.

wikimedia.org/wikipedia/commons/6/65/Lock-green.svg");background-repeat:no-repeat;background-size:9px;background-position:right .

1em center.mw-parser-output .id-lock-limited a,.

mw-parser-output .id-lock-registration a,.mw-parser-output .

citation .cs1-lock-limited a,.mw-parser-output .

citation .cs1-lock-registration abackground-image:url("//upload. wikimedia.

org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.

png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.

svg");background-repeat:no-repeat;background-size:9px;background-position:right .1em center.mw-parser-output .

id-lock-subscription a,.mw-parser-output .citation .

cs1-lock-subscription abackground-image:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.

svg/9px-Lock-red-alt-2. svg. png");background-image:linear-gradient(transparent,transparent),url("//upload.

wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg");background-repeat:no-repeat;background-size:9px;background-position:right .

1em center. mw-parser-output . cs1-subscription,.

mw-parser-output . cs1-registrationcolor:#555. mw-parser-output .

cs1-subscription span,. mw-parser-output . cs1-registration spanborder-bottom:1px dotted;cursor:help.

mw-parser-output .cs1-ws-icon abackground-image:url("//upload.wikimedia.

org/wikipedia/commons/thumb/4/4c/Wikisource-logo. svg/12px-Wikisource-logo. svg.

png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.

svg");background-repeat:no-repeat;background-size:12px;background-position:right . 1em center. mw-parser-output code.

cs1-codecolor:inherit;background:inherit;border:inherit;padding:inherit.mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.

mw-parser-output .cs1-visible-errorfont-size:100%.mw-parser-output .

cs1-maintdisplay:none;color:#33aa33;margin-left:0. 3em. mw-parser-output .

cs1-subscription,. mw-parser-output . cs1-registration,.

mw-parser-output . cs1-formatfont-size:95%. mw-parser-output .

cs1-kern-left,. mw-parser-output . cs1-kern-wl-leftpadding-left:0.

2em. mw-parser-output . cs1-kern-right,.

mw-parser-output . cs1-kern-wl-rightpadding-right:0. 2em.

mw-parser-output . citation . mw-selflinkfont-weight:inheritISBN 0-521-55345-8

------

4.

Triante of field camera

Triante is a district in the north-west of the town of Monza in Italy, and belongs administratively to the city's District 4. There are 33,863 residents in the district of people that are the 27.88% of the total population and their average age is 44 years while the proportion of people aged over 65 years 22.

51%. District 4 is the most populous of all the districts of Monza, the adjacent district of San Biagio, San Giuseppe, and San Fruttuoso (Monza) and is crossed by Canale Villoresi. The main streets of the district are: Via Felice Cavallotti (one of the main arteries linking the Old Town) Via Vittorio Veneto (the road connecting the Via Cavallotti and SS36) and Via Monte Cervino, famous for its many green spaces.

The name of the district derives from the Cascina Triante located at the center of the neighborhood, which was equipped with three entries (in dialect: Triant). Since then the post-war period, the Cascina was demolished and thence forward in its place stands a bank. The District of Triante is one of the most famous of the city, in addition to the geographical position in the area there are several residential buildings, banks and shops, a multiplex cinema and a parish, bicycle lanes, three public schools and many local nightclubs that of daytime.

------

5. Literature of field camera

Harding, Colin (2008). "Davison, George (18541930)".

In Hannavy, John (ed.). Encyclopedia of Nineteenth-century Photography.

1. London: CRC Press. ISBN 978-0-415-97235-2.

mw-parser-output cite.citationfont-style:inherit.mw-parser-output .

citation qquotes:"""""""'""'".mw-parser-output .id-lock-free a,.

mw-parser-output .citation .cs1-lock-free abackground-image:url("//upload.

wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green. svg/9px-Lock-green.

svg. png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.

org/wikipedia/commons/6/65/Lock-green.svg");background-repeat:no-repeat;background-size:9px;background-position:right .1em center.

mw-parser-output .id-lock-limited a,.mw-parser-output .

id-lock-registration a,.mw-parser-output .citation .

cs1-lock-limited a,.mw-parser-output .citation .

cs1-lock-registration abackground-image:url("//upload. wikimedia. org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.

svg/9px-Lock-gray-alt-2.svg.png");background-image:linear-gradient(transparent,transparent),url("//upload.

wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2. svg");background-repeat:no-repeat;background-size:9px;background-position:right .

1em center.mw-parser-output .id-lock-subscription a,.

mw-parser-output .citation .cs1-lock-subscription abackground-image:url("//upload.

wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2. svg/9px-Lock-red-alt-2.

svg. png");background-image:linear-gradient(transparent,transparent),url("//upload.wikimedia.

org/wikipedia/commons/a/aa/Lock-red-alt-2.svg");background-repeat:no-repeat;background-size:9px;background-position:right . 1em center.

mw-parser-output . cs1-subscription,. mw-parser-output .

cs1-registrationcolor:#555. mw-parser-output . cs1-subscription span,.

mw-parser-output . cs1-registration spanborder-bottom:1px dotted;cursor:help.mw-parser-output .

cs1-ws-icon abackground-image:url("//upload.wikimedia.org/wikipedia/commons/thumb/4/4c/Wikisource-logo.

svg/12px-Wikisource-logo. svg. png");background-image:linear-gradient(transparent,transparent),url("//upload.

wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg");background-repeat:no-repeat;background-size:12px;background-position:right .

1em center. mw-parser-output code. cs1-codecolor:inherit;background:inherit;border:inherit;padding:inherit.

mw-parser-output .cs1-hidden-errordisplay:none;font-size:100%.mw-parser-output .

cs1-visible-errorfont-size:100%.mw-parser-output .cs1-maintdisplay:none;color:#33aa33;margin-left:0.

3em. mw-parser-output . cs1-subscription,.

mw-parser-output . cs1-registration,. mw-parser-output .

cs1-formatfont-size:95%. mw-parser-output . cs1-kern-left,.

mw-parser-output . cs1-kern-wl-leftpadding-left:0. 2em.

mw-parser-output . cs1-kern-right,. mw-parser-output .

cs1-kern-wl-rightpadding-right:0. 2em. mw-parser-output .

citation . mw-selflinkfont-weight:inherit.

------

6.

Career of field camera

Van der Meer was born in Noordhorn. In 1945, he founded the semi-professional choir Groningse Bachvereniging and conducted the group until 1984. During the first 25 years they performed music from Renaissance to contemporary, but concentrated on the Baroque era in the early 1970s.

Van der Meer introduced Nikolaus Harnoncourt in the Netherlands in 1970. The regular orchestra, the Noordelijk Filharmonisch Orkest, was not available for a performance of Bach's Magnificat, instead van der Meer could work with Harnoncourt's Concentus Musicus Wien. Van der Meer focused on period instruments, all male voices for the soloists, musical rhetoric and dramatic declamation.

In 1973 he conducted the Groningse Bachvereniging in the first historically informed performance in the Netherlands of Bach's St Matthew Passion. The Evangelist was Marius van Altena, the vox Christi was Max van Egmond, the other soloists were three boys of the Tlzer Knabenchor, Ren Jacobs, Harry Geraerts, Michiel ten Houte de Lange, Frits van Erven Dorens and Harry van der Kamp. Ton Koopman and Bob van Asperen played the organs.

The performance was recorded live. The concert was successful and established van der Meer's position in Early Music. In 1974, he conducted Bach's Christmas Oratorio with Musica Antiqua Amsterdam, the first Baroque orchestra of Ton Koopman.

In 1975, he conducted and recorded Bach's Mass in B minor at the Holland Festival, the orchestra was La Petite Bande with concert master Sigiswald Kuijken). In 1979 he conducted Bach's St John Passion in Groningen. He also recorded vocal works by composers such as Heinrich Schtz, Josquin Desprez, Jan Pieterszoon Sweelinck and George Frideric Handel.

He died in Achim.

------

7. Activities of field camera

The foundation organizes meetings between Italian members of Parliament and US Senators and Representatives to discuss legislation and cultural issues; these include meetings with American Legislative Exchange Council (ALEC) members.

The foundation cooperates with many American universities, like John Cabot University and Loyola University Chicago through the John Felice Rome Center, for projects, conferences, staging. The scientific committee consists of more than 30 members, including some Italian scientists, politicians, diplomats, and journalists, for example Paolo Mieli, Stefania Giannini, Vincenzo Camporini, Fiamma Nirenstein, Aurelio De Laurentiis, Giuliano da Empoli, Beatrice Trussardi, Mario Capecchi, Giampaolo Di Paola, Carlo Cracco, Giulio Tremonti, Carlo Scognamiglio, Francesco Paolo Fulci, Edward Luttwak, Dante Ferretti, Antonio Marzano, Carla Fendi, Antonio Martino, Alessandro Minuto-Rizzo, Carlo Rubbia, Margherita Missoni, Carlo Pelanda. The Director of the Scientific Committee is Emilio Iodice, a former American diplomat, best-selling author, professor and business leader.

The foundation is a member of the United Nations Academic Impact and also promotes the Global Marketing, Comunicazione e Made in Italy Master's degree, directed by the former minister Stefania Giannini. President Barack Obama sent to the Secretary General of the Foundation, at the end of his presidency, a letter to thank the Foundation for the support since his 2008 campaign and election: "Michelle and I have many fond memories of our visits to Italy during the Administration, and we are touched by your and the Italy-USA Foundation's support and inspired by the work".