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Knowledge Related to Shot (song)

Shot is a song by the Finnish alternative rock band The Rasmus, originally released on the band's sixth studio album Hide from the Sun on September 2, 2006. The single was released on March 30, 2006. This is the last single to be released from Hide from the Sun.

Knowledge Related to Shot (song) 1

The song "Immortal" was later released as a music video, but there was no single. The song reached #6 on the Finland Singles Chart.

· Other Related Knowledge of Digital Camera

Track listingChart performanceCertificationsRelease historyUse in other media of Digital Camera

"Wildest Moments" features on the second-season episode "Re-Launch" (2012) of New Girl, playing in the background as characters Schmidt and Cece talk at the end of the episode.

"Wildest Moments" also features on the third-season episode "Who I Want to Be" (2013) of Awkward, playing in the background as characters Jenna and Matty dance together at the prom. "Wildest Moments" features on the show Love sick season 1 episode 2

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Deep data of Digital Camera

Deep data is an image that holds additional information about each pixel along the z axis like multi-layered images where each layer has a depth associated with. But unlike voxels, only at some arbitrary specified points in depth.

The data can be evaluated through different types of interpolation. Function-based (integrated)The data is stored as a function of depth. This results in a function curve that can be used to look up the data at any arbitrary depth.

Manipulating the data is harder. Sample-based (deintegrated)Each sample is considered as an independent piece and can so be manipulated easily. To make sure the data is representing the right detail, an additional expand value needs to be introduced.

Knowledge Related to Shot (song) 2

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History of Digital Camera

The origin of panomorph technology dates back to 1999 from a French company named ImmerVision now headquartered in Montreal, Canada. Since the first panomorph lenses have been used in video surveillance applications in the early 2000s, panomorph lenses have now become an alternative to other existing wide-angle lenses in a broad range of applications

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Career of Digital Camera

Macdonald recorded a solo album called Sauchiehall & Hope - A Pop Opera under the pseudonym "Nice Man" and The Art of Hanging Out as "Nice Man and the Bad Boys". In 2011, he recorded two digital albums of instrumental music - Maculate Conceptions and Maculate Conceptions Volume 2 on Garageband on his Mac computer during a Teenage Fanclub tour of Europe.

All of these albums are available online. He runs Shoeshine Records / Spit & Polish in Glasgow. He has co-produced albums by Aaron Wright, Attic Lights and Aaron Fyfe.

Other artists with whom he has worked include: Kevin Ayers, Kim Fowley, Robert Forster, Dan Penn, Alex Chilton, John Herald, Chip Taylor, Ben Vaughn, Laura Cantrell, Kate Rusby, Belle & Sebastian, Looper, Future Pilot A.K.A.

, The Hermit Crabs, The Pastels, Radio Sweethearts, Michael Shelley, Cheeky Monkey, Frank Blake, Speeder, Astro Chimp, BMX Bandits, Attic Lights and Harry Pye.

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Science and technology of mirrorless digital camera

Old name of Artemis 1, Exploration Mission-1, a planned mission for NASA's Orion spacecraft Olympus OM-D E-M1, a compact mirrorless interchangeable lens camera Korg Electribe EM-1, a digital synthesizer EM-1 Microbial Inoculant, first product in the line of effective microorganism supplements EM1, a designation for a vacuum tube, of Magic Eye type

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Further reading of Digital Camera

Ellison, Peter (FebruaryMarch 1985). "Canada's Atari".

ROM Magazine (10): 7. Archived from the original on 2017-12-20. Retrieved 2018-07-08.

McGinn, Dave (2018-04-27) 2008-12-13. "Standing the test of time(pieces)". The Globe and Mail.

Archived from the original on 2018-07-08. Retrieved 2018-07-08.

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Music video of Digital Camera

The All American Rejects music video for "The Wind Blows" was directed by Rich Lee and shot between March 30 and 31, 2009 in Malibu, California and was released a month later on April 27.

It revolves around the relationship between a character played by lead singer Tyson Ritter and his girlfriend - eventually reaching a neutral ending - with scenes of the band performing the song on the shore of a beach overlapped through the video. A second version, featuring alternative scenes of the relationship between Ritter's character and his girlfriend, was later released in October 2009. ReceptionEMVees reviewed the music video and praised its camera work and effects, but felt that they "hurt" the video and got overused, especially on the numerous close-ups of Ritter and the beach scenes.

They also thought that the scenes between Ritter and his significant other were "never fully fleshed out as much as they could be", but admitted that with a more fleshed out story, the video could easily be the band's best yet and "makes a person very excited to see where their next music video and song are going".

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Background of Digital Camera

"The Wind Blows" (originally titled "Alone Again") was written by Nick Wheeler and Tyson Ritter, originally for American singer-songwriter Gwen Stefani prior to the release of When the World Comes Down, but was ultimately turned down by her record label. During the recording sessions for When the Word Comes Down, the band's A&R manager Jeff Sosnow provided producer Eric Valentine with a digital audio library of The All-American Rejects demo songs, where in which the latter person discovered "The Wind Blows".

Seeing its potential, Valentine reintroduced the demo to the band, who were uncertain on the song's sound at the time. The band decided to rewrite its chorus and eventually re-record it for the album. Album-wise on When the World Comes Down, "The Wind Blows" is segued into by the previous track "Believe".

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Compositing deep data images of Digital Camera

Deep images can be composited like regular images. The depth component makes it easier to determine the layering order. Traditionally this had to be input by the user.

Deep images have that information for themselves and need no user input. Edge artifacts are reduced as transparent pixels have more data to work with.

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Critical reception of Digital Camera

The game has a Metacritic score of 87%, based on 10 critic reviews.

Slide To Play wrote " If you've been looking for a game that will impress your friends, look no further. Blast-A-Way is a fun, casual game that looks fantastic. " AppSpy said " Blast-A-Way invokes the friendly atmosphere of Little Big Planet, but puts you behind the wheel of three explosive maniacs set on solving their problems with brute force - all for the children you have to understand.

" Multiplayer.it wrote " Blast-A-Way it's a true surprise, even on the quite crowded physics puzzle genre. Another quality game from Illusions Labs.

" TouchGen said " Overall, Blast A Way is great puzzle game. It's beautifully presented, but more importably its fresh and challenging, with that all important 'one more try' factor. " Digital Spy said " Camera adjustment issues aside, inspired level design and creative puzzle mechanics make Blast-a-way an easy iOS recommendation.

" Touch Arcade said " While Illusion Labs doesn't particularly offer anything innovative, Blast-a-Way proves that there is still room in the overcrowded puzzle arena for games that excel in pure execution. " Pocket Gamer UK wrote " A bright and slick puzzler with some excellent mechanics, and imaginative level design. "

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Gameplay of Digital Camera

Time Travel shares the main idea with the previous games in the series, where the players must cut the ropes with swipes in order for Om Nom to get the candy.

However, the game adds Om Nom's ancestors, which means there are now two candies for two Noms in each level. That leads to the puzzles where the players will have to plan to feed both creatures at the same time. With each collected piece of candy, the players will gain stars that are equivalent to points; the more stars obtained in a certain level, the more bonus points are earned for other features like super powers, used as a help during the puzzles.

By pressing the camera button, the players can view animated stories created by ZeptoLab, offering more info about Om Nom's ancestry. Centered around time travel, the game consists of various time periods, from the Middle Ages to the Stone Age. Each one of them regularly add new obstacles and mechanisms to be used.

Some of those are: the chains can hold up candies requiring to be cut by a blade, freeze button that stops any movement on the screen, bombs that will send everything in its radius up, and others.

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Concept of Digital Camera

Margazhi Raagam was conceptualised by Jayendra Panchapakesan a pioneer of the South Indian ad film making industry. The film follows a 'concert' format, with the artistes performing on a stage, but uses video styles to give the audience a multi-directional view of the stage and set.

On the official website, Jayendra says: "For over four years, I have been living with the idea of giving Carnatic music an evocative new appeal in terms of presentation. Finally, the technology became available to give this dream the right shape. Margazhi Raagam brings together two things that are close to my heart music and cinema!

I am sure that classical music and cinema will see the benefit of this initiative, as will artistes and music lovers." Along with him a number of leading technicians have participated in the creation of this film. Some of whom are H.

Sridhar - Audiography, P.C. Sreeram - Cinematography, Rajeevan - Art Direction, and Satissh Kurosowa - Editing which has awed South Indian audiences and is set to release in theatres across the globe in the months to follow.

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Transport of mirrorless digital camera

British Rail Class 76, or Class EM1, an electric locomotive EM-1, a class of Baltimore and Ohio Railroad locomotives Elias EM-1, a 1920s prototype US military biplane EM1, chassis code for a 19952000 Honda Civic coupe EM1, a type of Honda E engine used for the Honda Civic during 198083

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Reception of Digital Camera

Critical receptionThe song received mixed reviews from music critics. An examiner for the Billboard Hot 100 said that they were unsure about the song's soft and mellow sound "for a band that claims to be alternative rock" and compared it to ballad songs by Maroon 5 and Green Day. They however praised its lyrics, saying "the message about getting through ruff times is actually a good one.

" Chart performance"The Wind Blows" peaked at number 13 on the Bubbling Under Hot 100 Singles and the top 40 in the Mainstream Top 40, before the song slowly began to lose public interest.

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Imaging software of Digital Camera

No matter the strategies used to improve the performances in zones of interest, each panomorph lens is designed with specific parameters such as the object-to-image mapping function. Precise knowledge of these design parameters for each panomorph lens is encoded in their unique RPL (Registered Panomorph Lens) code to allow de-warping algorithms to process the image and properly display the final image.

The display is optimized to keep advantage of the improved performance in the zone of interest created by the panomorph lenses as opposed to algorithms for fisheye lenses which employ a linear mapping function to de-warp the image without any considerations for their departure from a perfect linear mapping ( f displaystyle ftheta distortion).

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Applications of Digital Camera

By providing wide-angle images with zones of interest, panomorph lenses are often designed with specific applications in mind. Panomorph lenses have already been used in various industries, including: Broadcast television Mobile communications Virtual reality cameras Action cameras Wearable cameras Security and surveillance Automotive Endoscopy Aerospace Drones

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Generating deep data of Digital Camera

3D renderers produce the necessary data as a part of the rendering pipeline.

Samples are gathered in depth and then combined. The deep data can be written out before this happens and so is nothing new to the process. Generating deep data from camera data needs a proper depth map.

This is used in a couple of cases but still not accurate enough for detailed representation. For basic holdout task this can be sufficient though.

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Technology of Digital Camera

Margazhi Raagam is significant for the fact that it uses the digital capture quality of the Red One camera and high-quality, uncompressed, six track surround sound to deliver audio clarity and audio mixing finesse that carnatic music audiences have not experienced in a live concert so far.

The film is also expected to be released in Blu-ray, DVD and Audio CD formats in the near future.

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